Thursday, February 23, 2017

Individual Text Feature: Looking for Alaska


Michelle Milvain

The novel Looking for Alaska by John Green centers on Miles, a teen that is going off to boarding school at the opening of the first chapter. The novel is divided into a “before” section and an “after” section. These sections are eventually revealed to be about Alaska’s death, which is the event that the sections are framing. Miles is a junior in high school, and therefore is assumed to be right around the age of sixteen. His “fun fact” that he would share about himself is that he memorizes people’s last words that they utter before dying. Upon moving into his room at Culver Creek boarding school, Miles quickly meets the people that will become his friend group for the remainder of the school year. His roommate is Chip, although we quickly find out that his nickname is “the Colonel.” The Colonel introduces Miles to Takumi and Alaska, giving Miles the nickname “Pudge” in the process. Miles is immediately entranced by Alaska and her reckless, carefree personality.
Miles, Alaska, and their crew are constantly thinking about “pranks” that they can pull on their classmates and teachers without getting caught, and therefore expelled. They find small ways to break the rules of the school in any way they can, like smoking out by the lake. Miles continues to fall for Alaska, but the feelings are not fully reciprocated as she has a boyfriend who is in college. Alaska sends Miles some mixed signals, however, by kissing him one night after everyone else has gone to bed. Miles falls for her even more when he finds out that Alaska’s mother passed away in front of her when she was eight, due to an aneurysm, which explains a lot of Alaska’s rebellious behavior. The end of the “before” section is marked when Miles and his crew are hanging out and drinking, when Alaska’s boyfriend calls to remind her that it is their anniversary. Alaska freaks out, and despite the fact that she has been drinking heavily, runs to her car to drive to see Jake. Miles and the rest of their friends actually assist Alaska in her escape by creating a diversion with fireworks. This is the night that Alaska wrecks her car and dies.
The “after” section is very much a commentary on the struggles adolescents face, which are compounded in the face of a tragedy such as this one. Miles grapples with loss, guilt, and confusion as he tries to figure out whether or not Alaska’s death was intentional, and whether he could have stopped her from getting in the car in the first place. Miles struggles to keep up with his schoolwork, stops caring about his friends (besides the Colonel) and the rules of the school, and spirals into sadness. He and the Colonel become obsessed with finding out more about Alaska’s death. They go to the scene of the accident, buy a breathalyzer to figure out just how drunk she was that night, and even speak to her boyfriend, Jake, to see if he can provide them with any more information.
When the boys realize they cannot bring Alaska back no matter how hard they search for answers, they decide instead to plan an epic prank in her honor. The prank is a complete success, and they feel as though they have honored Alaska’s memory. Miles finishes the school year, coming to terms with Alaska’s death while grappling with ideas of hope, loss, suffering, and forgiveness, and ultimately accepts that suffering is a part of life. One of the last lines of the book says, “We need never be hopeless, because we can never be irreparably broken.” (Green, 220) I think this quote embodies the entire central idea of this book. Despite suffering and transitioning in our adolescent lives, we can get through it, because we continue to have hope.
While rereading this book, I found so many possible directions that I could take my essay in when writing on Looking for Alaska. My first thought was, of course, death in adolescent literature because it is such a central theme of the novel. This theme is common in John Green’s novels. Alaska is this idyllic figure that Miles is in awe of throughout the novel, even after her death. This opens up the question as to what her death symbolizes both within the novel itself and Miles’ life. While I most likely will not choose death as my central theme of my paper, I do think I will incorporate it in some way since it is the central event in the novel.
The next theme idea that I want to incorporate into my paper is the idea of the “rebel” in adolescent literature. The “rules” at Culver Creek Boarding School are very similar to those of the institutions that we discussed in class that can be found in so many adolescent literature novels, such as The Chocolate War. Alaska is the main “rebel” figure in this novel, thriving on breaking the rules of the institution. She convinces Miles to become a rebel alongside her, and this opens up a lot of opportunities for discussion. The idea of institutions against adolescents also ties into this idea of a “rebel” figure. Alaska even gets “punished” for her rebellion when she dies after drinking and sneaking off campus to drive to see her boyfriend. However, rather than giving up their “rebellious antics,” the boys Alaska eaves behind are even more motivated in wanting to pull a massive prank in her honor. This rebellious act engages the whole school and honors the memory of the rebel. Is this a positive message for the rebel adolescents, then? I would be interested in exploring a little more into John Green’s reasoning behind this “death as punishment” idea because I do not believe that he is actually trying to scare adolescents into being “well-behaved,” since his books highlight and do not diminish the complex feelings that adolescents experience.

Perhaps John Green’s novel is meant to point a finger at those trying to shame teens and belittle their struggles as they navigate their paths towards adulthood? I definitely plan on doing some more research into that subject. There is so much depth to this book, and I find something new every time I reread it. I look forward to diving even further into its themes and finding out even more about one of my favorite novels of all time.

3 comments:

  1. Hi Michelle,

    Something that I noticed in the earlier post on Me, Earl, and the Dying Girl and in yours is this pattern of adolescent literature conflating death and desire. There seems to be a recurring trope of the dying love object. This intermixing of death and sexual desire are nothing new. It's a central theme of poems from the Romantic Era and Shakespeare. I recommended a book on that post about this combo in YA literature that might be helpful for you, so check out that comment. I am finding fewer articles on Looking for Alaska than I expected. There's one by Barb Dean called "The Power of YA Literature to Nourish the Spirit." I anticipate you'll use a mixture of general critical sources on death in young adult literature. It might be hard to connect an argument with death to one about rebellion, but something to consider with the rebellion is whether it is true rebellion designed to disrupt the system or carnivalesque, a flashy and temporary distraction from the greater systemic injustices.

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  2. Hi Michelle,

    John Green is such a popular choice for readers of adolescent literature and I think it's great that you are looking at it with a critical lens. I, too, am focusing on the characteristics of the "rebel" figure in adolescent literature through the protagonist in my book ("Number the Stars"). I think you may want to explore if your characters chose to become these rebel figures or if this role was forced upon them. Also, you may want to think about if they did choose to become rebels themselves, did they do so for personal gain (or reasons related to more personal matters) or for greater, social reasons.
    As for sources, you mentioned exploring John Green's reasoning behind "death as punishment". I found this article and interview of John Green that may be helpful:
    "Literature Is Not a Cold, Dead Place": An Interview with John Green
    by Jayme K. Barkdoll; Lisa Scherff
    The English Journal, 01/2008, Volume 97, Issue 3

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  3. Hi Michelle,

    It seems that our books are very much related, as it deals with a young adolescent boy who hangs around with an adolecent girl who has or is about to die. Although there are subtle differences, such as Earl in my book constantly denies that he is in love with Rachel, because he continuously says, "this is not a love story," or "I would be lying to you if I told you it was a love story." Both of our characters both rebel in their own way as well, because in your book Miles pulls pranks, whereas Earl tries his best to be invisible. Both experience changes in their lives once they are with the girls, and after they have passed. I can say in my book, Earl doesn't come to terms with her death until after she dies, and does not understand how to cope.

    I get the feeling that maybe you should focus on unrequited love in adolescence and what that does to the physce, especially because Miles loves Alaska, but she already has a boyfriend. Maybe try and have that intermingle into why this causes him to be a rebel and how his love for Alaska shifts after her death.I also think that what you mentioned, death as punishment, is good to focus on. It is, in a sense, a punishment for Miles and it is punishment for Alaska because she dies, if you look at it in those terms.

    I found a couple of articles that might help you with your paper:
    This one is from an alumni in Ohio who discusses death and dying in adolscent literature that could be of interest
    https://etd.ohiolink.edu/rws_etd/document/get/bgsu1394210773/inline

    There is also another article published in an academic journal:
    https://www.questia.com/library/journal/1G1-20870822/young-adult-reactions-to-death-in-literature-and-in

    If you research "death as punishment" in adolescent literature, you will get several articles at your disposal.

    I hope this helps you!

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