Thematic Close Reading:
Graceling
One
passage that sets a lot of the groundwork for the thematic resonance of the
novel is the scene in chapter seven where Helda gets Katsa ready for a dinner
party with king Randa (pages 62- 64). The passage starts with Helda pulling
knots out of Katsa’s hair. This is shown as a contrast between Katsa’s actions:
she is described as having thrown her party clothing about. Helda looks for
Katsa’s shoes while katsa herself does as little as possible to postpone
dressing up.
The first
discussion in the passage is about Katsa and Helda arguing about a red dress. When
the dress is introduced, it is done so presumably through the opinions of
Helda. It is described as “bright as the tomatoes Randa imported from Lienid,
the tomatoes that tasted as rich and sweet as his chef’s chocolate cake.” Not only
is the description based on food, the metaphor seems to be incorrect, the
flavors in the description do not match and it is most likely because Helda has
not tasted one or both of the foods.
Then the
conversation switches to the first disagreement between the two: Katsa does not
want to wear the red dress. Helda says it’s pretty like the color of sunrise,
but Katsa responds “it’s the color of Blood.” This implies not only that Katsa
does have some psychological damage from her position as an assassin, but also
that Helda is woefully unable to relate to her.
When Katsa
gets her hair washed, she says that she wishes she could cut it off because “It’s
not worth the nuisance.” This is an obvious subversion of typical gender
standards. But it is important to note that her hair condition is talked about through
the context of her role as an assassin. Helda says that she should make herself
look pretty for lord Giddon, and he the conversation turns into the final bit
of narration. It explains how lady Helda cannot understand how ANY woman could
not want to me beautiful and married.
In this
final portion of the passage the reader can see that this embodies one of the
main themes of the book, not only is Katsa rebelling, by the end of the novel
when she decides to teach women how to protect themselves, she is actively
going against what she was taught. She becomes a leader but trains people in
the skills that will actually give them power.
Hi Luke,
ReplyDeleteYes, on Trent's post I made a comment that I am echoing here as well: through her interactions with Helda we realize that patriarchal expectations for femininity are not just enforced by the patriarchs, but also passed down by the women of the old guard, who were raised with these gendered notions and cannot think of womanhood without these conventional types of femininity. Helda is well-intentioned and Katsa loves her, but it is clear that her expectations for Katsa are just as at odds with Katsa's own identity as Randa's are. In order for Katsa to come into her own, she has to leave Randa's court and leave Helda behind as her handmaiden. I would like to see your main claim appear earlier in this response, before the final paragraph.